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The result is an unsettling, groundbreaking project that will rightfully leave you questioning the way society treats women and especially Black women. #I MAY DESTROY YOU SOUNDTRACK EPISODE 1 SERIES#The same way Arbella’s character attempts to heal her trauma through writing, Coel repackages hers into this wide-spanning series that reveals the complex, painful journey of recovering from sexual assault through creative processes and intense introspection. That’s right, the show is based on Coel’s own experience with sexual assault. ![]() #I MAY DESTROY YOU SOUNDTRACK EPISODE 1 TV#One would think that no TV writer could approach such heavy content with comedy, but Coel owns her story by re-telling it from in a voice that’s uniquely hers-nuanced and empathetic, yet powerful and unflinchingly funny. She leans on her best friends, Terry and Kwame, for emotional support, and with a new perspective, reevaluates the relationships she has with friends, family and her career. The series follows Arabella, an up-and-coming writer, as she recollects the pieces of her life after being drugged and raped at a bar in London. Coel’s acute and tender writing easily makes it one of the best dramas of the year. Coel seamlessly blends humor and painfully realistic depictions of trauma to explore consent, race and friendship in the messy world of millennial hedonism. It is safe to say that “I May Destroy You” smashed every expectation. As a huge fan of her sitcom, “Chewing Gum,” about one religious 24-year-old’s quest to lose her virginity, a nd familiar with her more serious transcontinental drama, “Black Earth Rising,” which explored the consequences of the Rwandan genocide from the perspective of an adopted survivor, I expected great things from this show. Their friendship is real and deep for all Terry’s clingy bossing-“your blood is my blood, your death is my death,” they repeat to each other, constantly-and one of the most moving moments in the whole series is when the two simply decide not to fight.Scrolling through HBO one day, looking for something new to watch, I was pleasantly surprised to come across “I May Destroy You,” a new BBC series written by and starring the phenomenal British-Ghanian screenwriter Michaela Coel. As Terry, Weruche Opia is perfectly, hilariously annoying, a mother hen who needs to be Arabella’s number one. There’s a funny-weird interlude that is extremely graphic about period blood. It also flashes back to Italy, where Arabella’s blackout partying ways are presented with affectionate truthfulness. The show flashes back occasionally to high school and a complicated situation in which a white girl, who grows up to run Arabella’s support group, accuses a black boy of assault. The show takes a bit of a dip in the middle of the season, when the variations on the consent theme can start to feel a little forced, but even then there’s usually something lively or graceful about it. ![]() 1 Song Is Both a Big Step Forward and a Total Throwback #I MAY DESTROY YOU SOUNDTRACK EPISODE 1 MOVIE#What’s Fact and What’s Fiction in The Good Nurse, Netflix’s Movie About Serial Killer Charles CullenĪ Great New Movie Is About Growing Up With Trumps, but the Real Target Is White LiberalsĮvery Horror Short in Guillermo Del Toro’s Hit Netflix Series, RankedĪmerica’s New No. At the bar where she’s avoiding writing, Arabella and her friends do shots with some strangers, she gets woozy, and comes to sitting at her computer, with a gash on her head, disoriented and plagued by a vision of man looming over her, thrusting in a bathroom stall. It’s at this point that I May Destroy You reveals itself for what it is, a show about a woman dealing with the fallout of being drugged and raped-Arabella’s experience is based on Coel’s own-even as it introduces half a dozen permutations on rape, consent, and consent gone wrong. #I MAY DESTROY YOU SOUNDTRACK EPISODE 1 HOW TO#Coel, who previously starred in and created Chewing Gum, may be the best actress of any actor–creator out there, and I would happily watch her doing anything-including starring in a show in which her character “just” figures out how to becomes a voice of her generation by comically stumbling around her home city, like some HBO protagonists before her.īut that’s not quite I May Destroy You. If the show thus far seems like a slice-of-life series about a group of creative friends in London, a kind of a Portrait of the Artist as a Young Millennial Woman, it also at no point seems like “just” another version of these things. “I never noticed being a woman,” Coel’s character writes, “I was too busy being poor and black.” ![]()
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